Teach Yourself Regular Expression in 10 Minutes

Publisher	Sams
Author(s)	Ben Forta
Publisher	Sams
Author(s)	Ben Forta
ISBN	0672325667
Release Date	28 February 2004
Page	192

RegEx is supported in all major development environments (for use in editing and working with code) and will thus appeal to anyone using these tools. In addition, every JavaScript developer should be using RegEx, but most don't as it has never been taught to them properly before. Developers using ASP, C#, ColdFusion, Java JSP, PHP, Perl, Python, and more can (and should) be using RegEx, and so every one of them is a potential reader too. The reader of this book will learn how to:

-Match characters sets

-Match repeating characters (using minimums and maximums if needed)

-Match (or ignore) based on case

-Build sub-expressions

-Use all of the special characters

-Work with excape sequences

-Use POSIX classes to simplify complex expressions

-Use back-references

-Use look-behind operators


Sams Teach Yourself Regular Expressions in 10 Minutes is a tutorial book organized into a series of easy-to-follow 10-minute lessons. These well targeted lessons teach you in 10 minutes what other books might take hundreds of pages to cover. Instead of dwelling on syntax, terminology, and arcane examples and scenarios, this book takes a very hands-on approach to solving the needs of the majority of RegEx users who simply need to manipulate data.

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Compilers and Compiler Generators An Introduction With C++

The book is, unfortunately, now out of print. International Thomson decided to drop their Computer Press division, and this title was one of those to be dropped after copies ran out. The copyright was returned to the author, who has now created an online version at http://www.scifac.ru.ac.za/compilers. This site also contains compressed downloadable files of the online edition, and files from which a paper copy may be produced on an HP Laserjet compatible printer.

Written to support a practically oriented course in programming language translation, this book combines theory, practical applications and the use of compiler writing tools to give students a solid introduction to the subject.
Key features of the book:

* Highly accessible in approach, it provides a sufficient level of theory without overwhelming the reader with too much mathematical detail
* Extensive case studies of translators are interspersed throughout, allowing the reader to view the theory in practice
* C++ is used for the illustrations in the text, whilst source code for all of them is provided on the accompanying disk in C++, Modula-2 and Pascal.
* Stressing the importance of compiler tools in modern practice, the book describes the use of a powerful tool (also provided on the disk) for generating recursive descent compilers in C++, Modula-2 or Pascal. The compiler generator, Coco/R, is used as this is simple, fast and clean and very understandable for this level of student.
* Recognising both the importance and complexity of object-oriented programming at this level of instruction, the author has made a careful choice of limited OOP features
* A comprehensive set of exercises allows the reader to develop the material further at many different levels

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Elly' Konijn - Acting Emotions

Actors and actresses play characters such as the embittered Medea, or the lovelorn Romeo, or the grieving and tearful Hecabe. The theatre audience holds its breath, and then sparks begin to fly. But what about the actor? Has he been affected by the emotions of the character he is playing? What'sgoing on inside his mind?The styling of emotions in the theatre has been the subject of heated debate for centuries. In fact, Diderot in his Paradoxe sur le comedien, insisted that most brilliant actors do not feel anything onstage. This greatly resembles the detached acting style associated with Bertolt Brecht, which, in turn, stands in direct opposition to the notion of the empathy-oriented "emotional reality" of the actor which is most famously associated with the American actingstyle known as method acting.The book's survey of the various dominant acting styles is followed by an analysis of the current state of affairs regarding the psychology of emotions. By uniting the psychology of emotions with contemporary acting theories, the author is able to come to the conclusion that traditional acting theories are no longer valid for today's actor.Acting Emotions throws new light on the age-old issue of double consciousness, the paradox of the actor who must nightly express emotions while creating the illusion of spontaneity. In addition, the book bridges the gap between theory and practice by virtue of the author's large-scale field study of the emotions of professional actors. In Acting Emotions, the responses of Dutch and Flemish actors is further supplemented by the responses of a good number of American actors. The book offers a unique view of how actors act out emotions and how this acting out is intimately linked to the development of contemporary theatre.

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